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      <image:title>Lies We Are Told - Lies We Are Told</image:title>
      <image:caption>neon tubing, acrylic, transformer, 48” x 36”, 2021</image:caption>
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      <image:title>Lies We Are Told - Lies We Are Told</image:title>
      <image:caption>neon tubing, acrylic, transformer, 48” x 36”, 2021</image:caption>
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      <image:title>Work - Instal view</image:title>
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      <image:title>Work - The Impossibility of Historical Resonance II</image:title>
      <image:caption>glass, found object, wood, metal, dimensions variable, 2019 A particularly antiquated piece of literature is the Talmudic Tractate Sotah, or The Ordeal of Bitter Water. Sotah refers to a woman whose husband believes her guilty of adultery. Across multiple volumes, the tractate labors to outline what the husband and Rabbi are to do with this woman. A sotah is subjected to a ritualized trial by the Temple where she may be stripped and humiliated in front of a public audience. The Impossibility of Historical Resonance II uses the transparent nature of glass to reference the layered and complicated nature of historical recollection and transmission as well as the difficulties of emotionally accessing history. The pages of a book from Tractate Sotah are recreated in glass and fused together, making it nearly impossible to read. The words quickly become visual noise and the layers obfuscate each other.</image:caption>
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      <image:title>Work - Sacharin(e) Shrines I</image:title>
      <image:caption>Sugar and steel, 48” x 36”, 2019</image:caption>
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      <image:title>Work - Split</image:title>
      <image:caption>mirror, copper foil, solder, 12” x 12”, 2021</image:caption>
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      <image:title>Work - Secret Seder</image:title>
      <image:caption>wood, ceramic, glass, 51" x 48" x 34", 2017 The Seder Service is hidden on the underside of the dinner table commenting on the history of hiding religious and cultural traditions in times of persecution.</image:caption>
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      <image:title>Work - Coincidence of Opposites I</image:title>
      <image:caption>stonehenge paper, steel, 11” x 15” x 9”, 2018</image:caption>
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      <image:caption>mirror, copper foil, solder, neon tubing, transformer, 36” x 36” x 2”, 2021</image:caption>
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      <image:title>Work - Hidden Histories I</image:title>
      <image:caption>sheet glass, wood, steel, 54" x 20" x 8", 2017 A portion of A Year in Treblinka can be read from one side and a portion of testimony from the Nuremberg Trials can be read from the other. They quickly become visual noise as the layers obfuscate each other referencing the layered and complicated nature of historical recollection.</image:caption>
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      <image:title>Work - Learning the Tcherkessia Step</image:title>
      <image:caption>ink on Stonehenge, 50" x 38", 2018</image:caption>
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      <image:title>Work - Grumpy Tree I</image:title>
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    <lastmod>2017-01-06</lastmod>
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    <lastmod>2017-01-08</lastmod>
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